
It's always a little strange when someone famous dies, especially when it's unexpected. Amid predictable public outpourings of grief - even covering, according to this rather sanctimonious and tabloidesque headline, an entire continent - reactions to Michael Jackson's death on Thursday will undoubtedly provide as much theatre and drama as when he was alive. His star on Hollywood's Walk of Fame has already been turned into a makeshift shrine, complete with obligatory memorabilia sellers and conspiracy theorists.
Interestingly, such public displays of grief provide something of an insight into the deceased's relative fame or popularity - Charlie's Angel actor Farrah Fawcett, who died earlier in the day, has already been largely forgotten despite her full page obituary in The Times and elsewhere. Whilst the 'King of Pop' continues to dominate the headlines - to the exclusion of pretty much everything else - Fawcett is nowhere to be seen.
The same thing happened in 1997. Mother Theresa, Nobel prizewinner and global figure of humanitarian aid, died relatively unnoticed. Why? Because a week earlier the former wife of the heir to the British throne was killed in a car accident in a Paris underpass.

Princess Diana's demise in France was probably the first death of a major public figure I remember, one of those 'I can remember where I was' moments. Even as a sullen teenager I thought the mass outpourings of public grief - and later anger - somewhat strange, creepy even. Lessons were halted at school so we could watch the funeral - live - on the telly before having an 'assembly of remembrance'. The piles of flowers left at Buckingham Palace grew so deep that those at the bottom started to compost. It was a seminal moment - the age of celebrity had surely arrived.
But perhaps I'm being a little harsh. Unexpected deaths of public figures have always provoked strong emotions - look at the likes of John Lennon, James Dean, JFK and Will Rogers. Losing someone to illness or age is sad, but to be expected; the sudden death of an individual, particularly if they are young, will always carry greater impact.
And yet there is something distinctly 21st century that the death of an entertainer - and one that many, even his most ardent fans, would admit was past his best - can be regarded as more important than, say, two terrorist organisations responsible for around 1,000 deaths between them placing their weapons beyond use. There appears to be no real sense of proportion. It's a worrying trend that shows no sign of slowing down soon.









